Curriculum Vitae: Selected Bibliography
Graham Peacock A Retrospective, 2008, book, Artists Limited Edition. A full survey of the artists life from 1945 to 2007, focusing on the period between 1982 and 2007. 400 pages with over 350 full colour reproductions with authored texts and the artists writings.
Abstract Painting in Canada, 2007, book by Roald Nasgaard, published by Douglas & McIntyre and Art Gallery of Nova Scotia.
ISBN 13:978-1-55365-226-7. 432 pages: citations 264, 299, 300, 308, 309, 310, 2 reproductions.
Alberta Art Chronicles Adventures in Recent Contemporary Art, 2005, book by Mary-Beth Laviolette, published by Altitude Publishing, Calgary, Alberta, Canada. CD plus book with 544 pages and 197 colour pages. Images, citations 156, 157, 161, 163,164, 165, 170, 171, 172, 173, 454.
Work of Arts, The Faculty of Arts in Review (University of Alberta), Fall 2005, Reproduction with Feature Article: Visual Innovations: Graham Peacocks Legacy by Gilbert Bouchard; pp. 10-11.
New New Illusionism, 2004, catalogue. The Recent Paintings of Graham Peacock at the New New Painting Museum, Toronto, Canada. Articles by Kenworth W. Moffett Graham Peacock; Lelde Muehlenbachs Goodness Garish; Graham Peacock New New Illusionism; Ken Carpenter Graham Peacock at Gallery One; Marcel Paquet Loeuvre intermezzo de Graham Peacock, The Intermezzo work of Graham Peacock; Graham Peacock Thoughts on my recent work. 40 pages, 16 colour and 2 black and white reproductions.
Mlada Fronta Dnes, April 18, 2002. Prague, Vitvar, Jan H. Barbarsti maliri z Ameriky dorazili do Prahy, a review of New New Painters Exhibition, National Gallery in Prague, 1999. p. 11, C6.
Vie des Arts, April 2002. Review by Jean Dumont, Peinture: une voie nouvelle, New New Painting Expositions, Galerie Arts Contemporain, Montreal, Quebec, Canada.
Canadian Art, 2002. Article by Ken Carpenter, With Honours in Prague: A Canadian/American Group Test the Limits of Painting, Volume 19, Number 4. Feature, p. 62.
National Gallery in Prague, 2002 catalogue. New New Painters, texts by Milan Knizak, Director; Natalie S´y korová, Exhibition Curator; Thomas Vicek; Kenworth W. Moffett and David Carrier. 106 pages, 50 colour reproductions, artist interviews.
Art In America, December 2001, New York City, USA. Article by Ken Carpenter, Review of Graham Peacocks Solo Exhibition at Gallery One, Toronto; 1 colour reproduction.
Artfocus, 2001 Toronto, Canada. Cover, article by Ken Carpenter, The Accomplishments of Graham Peacock; Volume 9, Number 2, Issue #72. Cover and feature article, 6 colour reproductions, pages 16-19.
Art in America, July 1999, New York City, USA. Article by Ken Carpenter Artists Groups Whats New? a review of Flint Institute for the Arts New New Painters exhibition, January-April. Colour reproduction, p. 51.
Artfocus, July 1999, Toronto, Canada. Cover, review by Pat Fleisher of the New New Painters Exhibition Museum of Contemporary Art Denver, Joseph Drapell & New New Painters. Colour reproductions, p. 16.
Flint Institute of the Arts, January 1999, catalogue. The New New Painters, produced by Curator Sue Scott, NYC. Essay by David Carrier, Carnegie Mellon University. 62 pages colour. ISBN 0939896 19 2.
The New York Times, Connecticut, December 21, 1997. Article by William Zimmer, Color, so much the essence of what happens in painting. A roundup of especially Peacocky tones in Bridgeport. Black & white photos.
Art in New England, December/January 1997. Art Preview New London Art Society & Gallery New New Painting, Doorways to the World.
Art Now, Gallery Guide, December 1997, International Edition. Back Cover.
Palm Beach Daily News, Florida, October 8, 1997. Article by Jan Sjostrom, Art Museum has a gel of a show. pp. 1 & 3. 1 black & white photograph.
Editions Athenee, 1997, Geneva, Switzerland. Bram Bogart by Marcel Parquet. 160 pages book, hard cover. Graham Peacock, colour reproductions p. 127 & 128. ISBN 2-940198-00-4.
Art in New England, June 1997, Massachusetts, USA. Exhibition Review.
Art in America, April 1997, New York City, USA. Article by David Ebony, Front Page.
New York Times, Connecticut, December 29, 1996. Article by William Zimmer A Dozen New New Painters and a Sculptor Too. Black & white photos.
New New Painting, 1996 catalogue, Fine Art 2000, Stamford, Connecticut, USA. Introduction by John Henry III, Director Institute of Art, Flint Michigan; essays by Donald Kuspit, Excess and Intimacy, Painting beside and inside itself ; and by Arlene Raven, Disembodied Embodied, Spirit matters in New New Painting. Artists Statements, CVs, 112 pages 36 colour reproductions. ISBN 0 965443 0 3, October 1996.
Gallery Ism, New New Painting, 2005 catalogue, published in Seoul, Korea. Prefaced by Dr. Kenworth W. Moffett (English/ Korean text); article by Werner Meyer, Director Städtische, Galerie Göppingen, Germany, New New Painting(German/Korean text). 58 pages, 11 colour reproductions, February 1995.
Partisan Review #2, 1995, Boston University, Massachusetts, USA. Article by Karen Wilkin, At the galleries; Review of New New Painting Exhibition at the SalanderOReilly Galleries, New York.
American Artist, Sept. 1994, New York, USA. Articles by Laurie S. Hurwitz, Acrylics Part 1: A New Kind of Painting Emerges; Oct. 1994, Part 2: Gels and Mediums.. 13 colour reproductions.
Edition Cantz, 1993 New New Painting catalogue, Städtische Galerie Göppingen, Germany. Articles by Werner Meyer, New New Painting; and Herman Amann, Molekular Dynamik eine neue Materie fur die malerie. 75 pages in German and French with English translation and colour reproductions. Buchhandelsaugable Edition Cantz. 1SBN3-89322-583-8, September 1993.
Art Chicago, 1993 International Exhibition catalogue. Colour reproduction of Cherry Smash, 1991, on page 121. Galerie Gerald Piltzer, Paris, France.
Artfocus magazine, Spring 1993, Toronto, Canada. Cover and feature article New New Paintings of Graham Peacock; Exploring New Media: Edmonton, interview by Russell Bingham. Volume 1, Number 3, published March 1993. Pages 9-14, 2 colour, 7 black & white.
Musee d´Art Moderne et d`Art Contemporain, Nice, France, 1993, exhibition handout. New New Painting, by Claude Fournet, Director of the Museums of Nice.
New New Painting, Nouvelle éditions Francaise, French/English book, published December 1992, Paris. Articles by Dr. Kenworth Moffett; The New Acrylic Painting; and by Marcel Paquet, Towards 2001What is at Stake in the New Acrylic Painting.
192 pages, 100 colour reproductions, 10 artists statements, CVs, I.S.B.N. 2-2079-0031-01, I.S.S.N. 0338-62-8
Colour and Dimension, March 1991, catalogue, University of Alberta, F.A.B. Gallery, Edmonton. Articles by Roger Boulet, Quand la matière chante
and Beyond Formalism; article by Lelde Muehlenbachs, Huh? Wow! How dya do that; and interview from New New Painting Atwood Gallery Catalogue. 32 pages, 18 colour, 6 black & white reproductions.
Art News, 1990, New York. New Acrylic Abstraction: Selections from the Moffett Collection, Museum of Art Fort Lauderdale, Florida. Black and white photo.
Atwood Gallery, 1990, Worcester, Massachusetts. New New Painting 3 artist exhibition: John Gittins, Graham Peacock, Bruce Piermarini. Peacock interviewed by Russell Bingham, former curator of The Edmonton Art Gallery. 5000 words. This is the first New New Painting catalogue, 50 pages, 6 colour reproductions.
Artpost magazine, Spring 1988, Toronto, Canada. Graham Peacock, Paint, Process and Sprit at The Edmonton Art Gallery, by Lelde Muehlenbachs. Cover, pp. 28 & 29, colour reproduction.
Outside New York, 1987 Exhibition Catalogue, Edmonton, Canada. Works Visual Arts Festival, introduction by Curator, G. Peacock. Including Baker, Brent Gittins, Lerner, Neal, Piermarini, Webster. 26 pages, 8 colour reproductions, artists statements.
Graham Peacock: Paint, Process and Spirit, 1987 Exhibition Catalogue, Edmonton Art Gallery. Article by Roger Boulet, Appendix by Kenworth W. Moffett. 9 colour reproductions, 1 black & white.
Update Magazine, 1987, Edmonton Art Gallery. Article by Russell Bingham, Graham PeacockPaint and Process. Fourth Issue, pages 8 & 9.
Moffetts Artletter, March 1986. Articles by Kenworth W. Moffett, Post-Color Field Painting and Abstract Art and The Present Situation.
Art in New England, September 1985. Article by Kenworth W. Moffett, Abstraction offers the most exciting new possibilities. Volume 6, Number 9, page 9ff.
Arts Magazine, March/April 1978. Article by Ken Carpenter, New Abstract Art a review of Abstraction Now, a July 1977 survey exhibition of trends in abstract art across Canada, organized by The Edmonton Art Gallery.
Abstraction Now, catalogue, Edmonton Art Gallery. Essay by Terry Fenton, Director.
Arts Canada, Dec/Jan 1976. Article by Helen Collinson, Edmonton Review, Latitude 53 Gallery Exhibition, Spring 1976, Screens recent paintings.
Latitude 53, 1976 catalogue. Graham Peacock Screen Paintings. Colour reproductions.
National Gallery of Canada Journal, March 1976. Article by Terry Fenton, Abstract West, Emma Lake and After.
The Financial Post Money Management Book, Impetus, Painters with Promise, selections by Karen Wilkin and Financial Post Magazine, December 13, 1975, Maclean Hunter. ISBN 0-88896-046-8